Four books at least are now in preparation, that is, I have managed to
disentangle the strands from all the reading I have been doing over the past
few years as part of the grand project with trying to save Alfred Dreyfus from
his detractors and trivilializers—those who still see him as no more than a
dull, unimaginative military engineer and boring bourgeois husband and father. These forthcoming books are taking shape as
follows:
1. (1) The fourth in the series on Dreyfus
himself. This will concentrate on
recently available notebooks and letters dealing with his service in the Great
War, his participation in the salon of the Countess Marie Viscont-Arconanti,
his reviewing of books for the Journal
historique, and other data on his life between the almost complete
vindication of his innocence in 1906m and his death in 1935.
2. (2) A study of a cluster of Jewish and pseudo/quasi
Jewish intellectuals and artists around the fin de siècle consisting of men and
women who thought they could safely assimilate into a tolerant, liberal society
in western and central Europe but who discovered that neither their
accomplishments could ensure them safety or an enduring reputation where
anti-Semitism was dominant and increasingly pervasive. By pseudo and quasi Jews I mean those persons
who were mis-identified as Jews because of their associations with and
favourable treatment of Jews in their works or who through marriage and
conversion actually tried to live, think and feel as Jews in times of stress.
3. (3) A history of the relationship between Salomon
Reinach and his Christian opponents and rivals in the controversy that arose
over his publication of Orpheus in
1909, a book which had the temerity to treat Judaism and Christianity as types
within a model of comparative religions, and which treated all religions as
superstitions, historical constructs and oppressive regimes of intolerance and
persecution. Though many other scholars,
clerical or lay, were saying similar things, it was Reinach the assimilated Jew
who was targeted for his arrogance and inappropriate disregard for the
conventions of Christian society.
4. (4) A study of how the Jewish Imagination
challenges and creates the world through midrash and science. It is not that the Jewish imagination is
completely different from any other, but that its emphases, its nuances, and
rejection of certain experiences makes it distinct. In this book, I will examine closely the
various variations in sensual experience—the five senses as they register in a
textualized mind, one that thinks in terms of words and intellectual concepts—and
the kinds of artistic (aesthetic) forms of expression that are traditional to
Jewish life. In addition, because the
Jews entered modern society at a fairly late period and used their intellectual
skills to make advances in the sciences, from historiography and other social
disciplines through to the hard sciences of mathematics, physics, and so on, I
will spend time looking at the way Jews manipulated the technologies of
photography, cinema, voice recordings, radio and so on.
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