Tuesday 22 April 2014

Confronting anti-Semitism Part 1


 Anti-Semitism as a Mental Aberration, 
or Moral Catachresis

In their study of the letters between Sarah Bernhardt, the Jewish actress of the nineteenth century known as the Divine Sarah, and Samuel Pozzi, her lover and friend, whom she often addressed as Doctor God, the two authors—Caroline de Coste and Francesca Miller write:

Despite France being the birthplace of the Enlightenment, anti-Jewish sentiments were deeply embedded within the French psyche and nurtured by the most reactionary elements of the Catholic church…[i]
What exactly does this mean?  It is a wonderful conceit, that is, a complicated metaphoric figure of speech with resonance going out in many important directions. Or is it?  Perhaps it sounds more impressive than it really is. 

First of all, the opening metaphor is that of France as a birthplace of the Enlightenment.  Usually, the term is taken to mean a geo-political and historical moment when some new set of ideas come into being.  But a birthplace can also be a room or a bed or a body in which an infant is born, emerges from its mother’s womb.

Secondly, the passage develops that birthing image into an experience that precedes the moment of emergence from the mother’s body, something contrary and hostile transforms the birthplace into an unwelcoming environment, a place where the foetus—not yet born at all—lies embedded in a poisonous, noxious matrix, the French psyche; or, the neonate child, having passed through the birth canal and entered into the world of reality, politics and religion is immediately removed from the protective warmth of the mother’s person and embedded into the mentality of the French nation. 

The newly born Enlightenment thus is adopted by a wicked step-mother, placed in her bed which is filled with most reactionary elements—anti-Semitic sentiments—of the French Catholic Church, there to be suckled not on the nutrient rich and comforting milk of her breasts but by two dugs of superstition and calumny; and what should have been a loving environment is now one that seeks to poison the ideas of freedom, tolerance and rationality, the hallmarks of this period of Light. 

Coming back to the original statement, what exactly do these writers (or any others who use this common expression) mean when they say that a nation, a country, a historical moment is the birthplace of some intellectual movement?  Most likely they wish to say in this figurative way that a significant number of persons and institutions are in a state of mind ready to change their basic paradigms for understanding what is natural, normal and reasonable from an inherited set of cognitive and affective models to something more satisfying and stimulating.  The country would then mean less the geographical features and the climatic conditions under which people live than emotional and social attitudes that are shared by those who are considered authorities.  When these paradigms start to shift and the leading thinkers of the age are prepared to entertain and develop new ideas, then the time is right; or, to put it negatively, when the political and spiritual leaders cannot muster sufficient power to resist the new ideas, then the innovators find they have room to manoeuvre, communicate with one another, and begin to  consolidate a new set of paradigms. 

And when the authors here state that, despite this revolutionary shift in power and paradigms, the new ideas begin to emerge in recognizable form and to influence the day to say life of the people who constitute the nation, a counter-revolutionary event happens, and the older ideas and feelings return—the reactionary elements re-assert themselves.  They snatch the new-born infant from its mother and make it their own.  These negative attitudes, emotions and institutionalized forces prove to be more deeply embedded in the bed of the nation’s psyche to be over-ridden, and when they take charge of the baby they change it into something ugly and hateful because they nurture it on old ideas, images and attitudes of anti-Semitism.

Yet does this mean that the Enlightenment in France can be imagined as a Jewish phenomenon? Or rather that the essential element constituting it is a willingness to embrace the Jew, tolerate the religion, and allow its adherents to flourish as equal citizens of the post-Revolutionary society?  In other words, that the recrudescence of Jew-hatred in its new guise of nationalistic reaction, religious bigotry, and racial biology is at once made possible because of the Enlightenment and at the same time a denial of its very heart and soul?

All of this is figurative, as said from the very beginning.  It is an elaborate conceit pulling together two different kinds of metaphor, one of birth, the other of embedding.  The first is physiological and therefore physical, the second is social, cultural and therefore political.  In the opening gambit, the country—the place, the time and the people then living and thinking and feeling there at a given moment—give birth to a set of enlightened ideas and attitudes.  In the next, the bed-psyche of the nation remains hostile and is in fact more noxious than ever because unquestioned, deeply-held ideas and beliefs, have been put on the defensive, have reacted with new rationalizations, and self-consciously seek to purify themselves by purging the unwanted, dangerous and disease-ridden other they suddenly feel about to destroy everything they hold dear and true. 

To speak of a national consciousness or unconsciousness can only be taken as a figure of speech itself.  Individuals have minds, collectivities, large and small—from couples, families, neighbourhoods and up—have something else which they share more or less in a generalized sense.  It depends on what is heard in church, at school, along the streets, and on radio or television.  Much more it depends on kinds of child rearing practice, wherein the more interfering and violent discipline involved, the more likely people grow up susceptible to shared trance-like states, regressive visions, and mob reactions. Yet even earlier modes of domestic abuse—from neglect, abandonment to overly-controlling—create collective dependencies to the point of diminished independence and individuality.  States then are set up with more than just hierarchical structures to which most subjects find their normal affects and intimate awareness shaped by authoritative models.  But these versions of collective behaviours become most acute in times of public crisis: war, famine, plague, drought, flood, sustained deprivation of all manner of necessaries.  All this, by the way, is commonplace psychohistorical explanation for interactive fantasy life.  How else explain the historical occasions when large proportions of a population act out the dreams of a few neurotic or psychotic individuals or when crowds consistently make decisions contrary to common sense and their own best interests as expressed in earlier paradigms of normal morality?

Such may be the basis for the conceit of painful, extended birth of new ideas and the humiliating and grief-filled sense that all that has been promised and brought into view as a better world is snatched away by old devils in guises. 




[i] Caroline de Coste and Francesca Miller, The Diva and Doctor God: Letters from Sarah Bernhardt to Doctor Samuel Pozzi (XLibris, 2010) p. 207

Tuesday 15 April 2014

New Book on Dreyfus

What is To be Done?

Still another Dreyfus book has come out, following hard on the heels of an exhibition in Tel-Aviv of what purports to be “new” information, “revelations” of the importance of the personal life between Alfred and his wife Lucie.  Well, all this, to be sure, reminds anyone out there who has never heard of the Dreyfus Affair, let alone of the man, his wife and the rest of the family, that what happened between 1894 and 1906 (at least) still matters today.  Revising Dreyfus, edited by Maya Balkarsky Katz (Brill 2013), rehashes the same old same old about the affair, but also looks at some of the contemporary libels, propaganda, and satirical drawings inspired by the debates that raged in the last years of the Affair, and points out the relevance to the Zionist movement. 

Two things at least bother me about all this: For one thing, suffering from kicks in my vain kishkas, nobody involved in these productions—and I would add a number of novels as well as very serious scholarly studies, seems to have read any of my books or articles; and it hurts most when the publicists and book reviewers proclaim wonderful breakthroughs, new approaches and very timely pertinence of issues arising from the false charges against Dreyfus, the rigmarole of phoney documents, perjury and worn-out anti-Semitic slurs, and the reluctance of most people involved ever to admit that they were wrong when all—or most—of the evidence finally was made puboic to prove what a cock-up it was.  Since the scholars involved are supposed to have surveyed the field and contacted the relevant researchers, I wonder whose fault it is that my books and articles don’t make a show.  Nobody attacks me.  Nobody seems aware that these materials exist and have for several years.  When I google my name plus Dreyfus, the titles spill out.  Do these other people inhabit a different universe of knowledge?  Do they only cite one another? 

The other thing, which is somewhat related, is how the general public either doesn’t know—are unaware, have forgotten, or don’t care or understand—or so the new advertisements and notices of these books and exhibits assume, when the reviews appear, the interviews are given, and the hoopla runs through the academic world—and the Jewish community newspapers.  This is followed by silence.  For a few months, that is, before the next new book, the latest seminar, the spectacle at some museum or other, during which time everything that was said or shown before disappears from general consciousness, so it all has to be said again. 

It is not my place to alert the academic world, when young and not so young scholars, produce work that I have written about years before—studies of Crypto-Jews Marannos, analyses of encounters between European explorers and first-contact people, the way to read oral texts based on anthropological, rabbinical and aesthetic principles—completely skip over my contribution.  Must I accept, in the middle of my seventh decade, that I am unknown or forgotten or simply not worth knowing because I have no influence, can’t guarantee jobs, or whatever it is that currently gets traded on?  Some people tell me to go out and “Blow your own horn!”  But I was brought up and educated not to do that; it is not the author’s job to tell everybody how important his work is—others must do the evaluating, hopefully in a conscientious and fair way, not in ad hominum attacks as has happened all too often. Other people say, “Go hire a professional publicist!” as though I had the money or the political means to do such a vain thing.   Still others soothe my rage and hurt by reminding me of all the great authors—for example, Nietzsche—who were forced to print their own books and then couldn’t give them away.  Fine, I shall look forward to posthumous recognition in a few hundred years.  My great-great-grandchildren shall be so proud.


But at least I can say these things to you, dear reader of my blog.  Some days there are close to ten of you, and especially my still single “follower”.  It is just good to get this off my chest.  Thank you.  

Wednesday 9 April 2014

Cosmic Illusions

We have learned of dark matter, black holes, and the birth of stars,
Whole galaxies inside of galaxies,
And universes beyond the reach of space and time.
We have gathered fragments of our consciousness
And sifted them to substances below
The ken of comprehension, and drawn conclusions
No priestesses in ancient temples ever dreamed.
We have struggled in our sleep to escape the fears
That drove our parents to despair and chased
Our ancestors into the labyrinths of death
And feared to awaken when the shaking earth called out.
We have falsified our hopes and made up realities,
Rationalized interpretations, denied ourselves,

And written preposterous lines of poetry for you.