Saturday 30 September 2017

Poetry for October 2017

Swimming on a Lake in 1955

Never one for speed, I swim across the lake
Slowly and full of heavy dreams, assuming
Somewhere at the back of my mind that a boat
Is following, and so stroke after stroke I swim
In the hot summer afternoon, time
Languid, and then I feel and smell the slime
Over the other shore, my feet entwine
In the weeds, only then noticing no one
At my back. The further shore is dense with bush,
So I turn back again to the lake and begin
Slowly my languid strokes, my dreams no longer dull
But alert to how far the journey is, how soon
The sun will be in decline, and wishing then
I would be one for speed.  My feet do not reach
The mud and slimy weeds.  My arms reach out
For the distant shore all too slowly and make
A signal to the unseen boat, the sleepy rower
Who must be somewhere floating on the lake.
Shadows begin to float past me heavily,
The horizon a silhouette of darkening hills,
As stroke by stroke I cross the water, no
Longer silent but heavy splashing, myself
A shadow of darkness creeping through the night.

Wednesday 20 September 2017


Available on 1 November 2017

Norman Simms
Jews in an Illusion of Paradise
Volume Two
FALLING OUT OF PLACE
AND INTO HISTORY



These further six chapters of Jews in an Illusion of Paradise  now focus on individual exemplary figures and clusters of poets, dramatists, critics, journalists, art historians—Jews whose achievements were once celebrated but now are almost all but forgotten, not because of changes in aesthetic taste or style but because of social, political and other ideological issues.  We continue to examine the clash between their conscious and unconscious self-presentation as Jews into a culture that wilfully or inadvertently misunderstood or rejected this aspect of “otherness” the men and women represented from the mid-nineteenth to the mid-twentieth centuries.  Whereas the first volume concentrated on the themes, images and rhetorical motifs of this awkward status of Jewish intellectuals and artists, here the ambiguous personalities and repressed anxieties of the exemplary figures are stressed.  For millennia Jews were considered part, out of normal history, passive victims of persecution; then suddenly, with Emancipation, they fell into history and out of their mythical place in the scheme of things.   Everything seemed to crumble into dust and ashes.

Cambridge Scholars Publishing
Lady Stephenson Library, Newcastle upon Tyne, NE6 2PA, UK

Copyright © 2017 by Norman Simms

Tuesday 19 September 2017

Glancing Obliquely into the Future

Even now that tomorrow has become bent
Out of shape and the hours do not run smoothly
But flutter by unevenly and sometimes
Disappear into the shadows or the corners,
The birds still clamour for their breakfast, peck
At the kitchen door, and the tui couple swoop
Down from their perch, admonishing the one
Who scatters crumbs and crusts; and thus next week
Seems a million years from now, although it taps
On the window and demands its due: “Put the rubbish
Out, pile up the papers, sweep the entrance,
There is no time to dillydally, you silly fool.”
When I awake it is always yesterday’s
Today, the crack of dawn before the storm
Is blown away, the time of doubtful dreams,
Waiting for the siren to shout: “All Clear. Come home.”
Have I already passed this way before?
Has someone left a parcel on the stoop
But it has been wafted by the winds into the night?
Can anyone untwist the threads of fate?
A cat is lurking in the corner of the garden, ready
To pounce, so that my sparrows will not feed,
The white eyes scatter nervously, the black
Birds hop insanely under bushes, who fear
The end of the world, and the tui screams “Beware”
To its mate, who already has flown away too far
To hear, back, it seems, into the season
Of its birth, in the night of potentialities.
We two speak to each other in our loneliness
In a jargon only we understand,
Mimicking the feelings we cannot otherwise express,
Caring nothing for tomorrow’s empty aspirations.
Time is bent out of shape forever.
Time is nothing in itself. Nothing.



Between the Seasons

There are times when the mountains stand out sharp against the sky,
When the blackened clouds relax their heavy hold and drift,
When rivers untwist themselves into powerful  streams,
But not today, when there is no difference between the mist
And the force of the rain,  not even when the sun thrusts
Its poisoned arrows in my eyes: everything is flat
And dull, pointless; and the watercourses disappear
In invisible underground caverns of muddy sludge.
Such moments are not rare between the seasons: spring
Takes ages to know itself and cast off winter’s
Pall, as autumn will do when it feels ashamed
Of drooping, dropping foliage, and dares in vain
To wrap itself in crisp white snow. 
Between one thing and another, straddled precariously,
My identity, that plaything of destiny,
Will soon be splayed and split, one soul asunder,
Made useless and meaningless, like a thread swept
Across a vast abyss by a befuddled spider,
Unable to manipulate the system or toss aside
The whole endeavour, so hoping against hope
With a thousand subterfuges, dream against dream,
Waiting for what it knows is impossible, the calm
Interlude between opposing forces of nature.
The other soul, no less wan but wrinkled,
Worn with age not pride, will no longer hold
In silence that which must be said: the world
Is not with us, against our deepest essences,
And that my voice cannot articulate—
So what is heard now will never be understood.
When the pleasant, eager agent asks me for my name,
What can I answer that is not absurd, that it is all
I have and yet no longer my own, and if she
Goes off with it, what is left for me; or should
I say, return it to me when you are done,
But, please, if you can, enhance its status, grant
The integrity it once might have had, or wipe it clean,
A tabula rasa, a new beginning, even if
After all we have gone through together (I speak
To the fading shades) metaphors no longer work

And metonyms disengage from reality: Farewell!

Sunday 17 September 2017

Archaeological Poem

A Viking Woman Speaks Out of the Grave

For more than a century, you looked at me, that is,
My remains, and you assumed, fools that you are,
I was a Viking warrior.  Why? Some weapons,
Some pieces of armour, a figure that was quite spare,
And that must mean a male, a hero, a sepulchre,
All attributes of patriarchy—what is
This prejudice that came into the world? Not here
In the shadows I have left around me, high-born woman,
Raised to hunt and sail, protect and conquer when needed.
Bear children? Of course, I did, more than ever man
Concerned himself with, foolish being, beaded
Up with rings of steel, long-haired louts, who ran
Away from battles. I cut a swathe, as I breeded ,

Lived to the utmost, a full and glorious span.

Monday 11 September 2017

Looking for Help for Publishing Project

Do you know that Mentalities/Mentalités was resurrected a couple of years ago, thanks to some friends in Australia, and now comes out as an online journal?[1]  Among other things we have been able to do, aside from [printing articles and reviews as we have always done, is to publish proceedings from various scholarly conferences in Europe and the USA, collections of essays that the "regular" commercial and academic journals and presses won't touch without subsidization. There are important names and well-known authors involved.  

There are still a few of us with scholarly standards and principles still left, so we have to help one another.  In a sense, things are easier than they were when Outrigger Publishers began various series such as Ocean Monographs,[2] Crosscurrents and Rim These days, thanks to the internet, we can get a wider circulation than before--though hardly one that registers on the radar of those who do statistics--and more like the 18th century circulating system of formal letters between academic societies and isolated individuals. Or even like the passing of midrashic commentaries and responsa among rabbis in pre- and early-modern Europe.

If anyone wants to start up a series of separate publications, books and monographs, the kind that have “fit audience though few”, as Milton said, let us know your interests, talents and experience.  This is an invitation not only to independent scholars and poets, novelists and writers of essays, translators and critics, but also to people with skills and experience in business, publishing and online communications.

The purpose will be not commercial but cultural, not to enhance academic careers but to enjoy the intellectual and aesthetic pleasures that a cruel and hard world make ever more difficult to achieve.





[1] http://mentalitiesjournal.com
[2] http://www.worldcat.org/title/ocean-monograph/oclc/173331649