Respecting
the Repugnant
The rule says that when
interviewing persons for research purposes the researcher must disclose his or
her purposes and treat the person being interviewed with respect. But what if
the subject of the research project is the mind of a rapist, a murderer or a
terrorist? Is not disguising who one is and what one’s purposes are justified
for the researcher? Surely you don’t want me to respect such a mind or person
or ideology? To treat such a person objectively is immoral.
Casual
Encounters and Personal Experience in Research
The rule says that the
researcher must give the subject ample notice, gain his or her permission, and
allow them to read, edit and approve of what has been recorded in the interview. But what if, in the course of travel, one
meets a person of interest, converses with them and later writes out detailed
notes on what was said? The history of that encounter is a proper subject of
analysis, interpretation and evaluation.
If possible, one can send the person a transcript of the conversation
and then request permission and give them an opportunity to make changes.
Should the subject decline permission to publish the conversation, do they have
the right to object that the encounter never took place? Even if the
conversation per se cannot be published, can what is learned therein be part of
the researcher’s understanding and evaluation of the topics covered? If the
researcher subsequently writes his or her own personal memoirs of the trip and
includes the encounter, is it necessary to obtain permission to include what
happened and heard? Is it necessary to censor one’s life experiences and
maturing of thought to satisfy external regulations? Autobiographies, as well
as scholarly interpretations of people, places, events and ideas become
impossible if every casual meeting or conversation must be tracked down and
formally negotiated ex post facto.
Some
Things are too Serious to be taken Literally
The pretence of objective
scholarship makes the scholar hide inside a series of circumlocutions (“the
writer of this book,” “the author considers”, “research shows”) or complicated
passive constructs (“it is said that,” “given the current state of knowledge,
it may be argued”, “contrary to current scholarly opinion, we have decided”)
and to avoid calling him or herself “I”, even when “I” marks the shift from
citation or precis of other views, authorities and modes of argumentation.
Because of this shibboleth, the
writer tends to take his or her presence in the body of the text too seriously.
The real scholar, however, recognizes the uncomfortable or awkward fit of
complicated ideas and simplistic jargon, and so offers opinions and
speculations in the ironic way. Witty asides, subtle jokes and performative
tricks mark such significant critiques of accepted and standard views and opens
up understanding thorough the presentation of ambiguities, ambivalences and
hesitations.
Moreover, and especially in an
age when old certainties and truisms are put in doubt and when many expressions
of long-held beliefs and practices are considered politically incorrect or at
least inappropriate, the scholar born into previous generation and formed by
protocols of academic scholarship now out of fashion, finds him or herself
caught in a dilemma: either (a) to proceed in pursuing the truth in the way he
or she was taught and long experience has re-modelled the ways of setting out
proofs and analytical arguments—and thus risk rejection and contumely from the
new generation of editors and academic critics or (b) to suppress or distort
one’s writings to conform to the new standards and formalities—and thus lose
the sense of honesty or integrity. Or instead of these options, to play a new
game altogether: through obliquity, wit and irony.
The Outside Insider
Someone writes a research paper
about her own experience of an out-of-body incident or a journey into the
underworld or some other bizarre adventure. The chief authority for their
thesis is their own memory and imagination and, though they actually do read
intensively in the literature of mythology, anthropology and folklore, they are
focusing on something which cannofr be taken seriously in an academic document.
It is one thing to describe and analyse something within the cultural
boundaries of a non-westernized, modern and secular society, and another to
treat as plausible and true for a person living, thinking and feeling in our
own civilization. Or is it?
More specifically, a student
wishes to study the beliefs and practices of his or her own society—for
example, Papua New Guinea, the Trobriand Islands, an Aborigine settlement deep
in the Outback of Australia—and to write a dissertation or other research paper
on the personal participation of a community still functioning in terms of
non-scientific views of reality.
Such a student knows what the
research is about and attempts to articulate feeling, beliefs and knowledge
that once was complete and self-validating but now because of such awareness
and commitment to the protocols scientific investigation, the written report
can only be contaminated by the paradoxical attempt to be both insider and
outsider to such an all-encompassing belief system.
But what does one do with a
student who does not have such a background identity in some pre-modern,
non-Western culture and yet claims to have experienced the shaman’s ecstasy,
possession and powers: that he has, for example, descended into the underworld
like a classical hero, participated in archaic rites leading to shape-shifting
and has first-hand knowledge of primeval life known at best in vague and fragmentary
ways through archaeological and anthropological evidence? Does one treat such
supposed information as the ravings of a lunatic? Tell the student to write up
his experiences as a fictional tale? Consider the confession as a speculative
essay and ask for as much corroborating proofs as available in archival
research? Walk out of the room in disgust?
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